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Great Harmony
1982 Golden Era

Great Harmony

Oblachny Kray · 15 tracks · 44:21
The third numbered studio album by Oblachny Kray, recorded in autumn 1982 at the Cultural Center of the Red Smithy factory in Arkhangelsk. All vocal parts were performed by Vladimir Budnik of Svyataya Luiza, with Oleg Rautkin contributing only as drummer. Widely circulated among Soviet rock enthusiasts; officially released with shortened tracks in 1999 and reissued with complete recordings and new artwork by Igor Plenov in 2009.
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Album tracks

5/15 44:21
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1
In the Dead of Midnight, Part 1
2:46
2
In the Dead of Midnight, Part 2
1:07
3
Introduction
2:09
4
Into the Mine! (Miners Song)
3:24
5
Youth (Restaurant Sadko)
2:26
6
Everything Is Fine
2:12
7
Tenderness
3:40
8
No Room for the Weak
2:46
9
Serious Business
1:53
10
Instrumental: Part 1 - Nebula, Part 2 - Homoglobal Function
3:57
11
Great Harmony (Everything Pleases the Eye)
3:52
12
Wince, Critic! (To A. Troitsky)
4:58
13
Shaitan's Cart
2:21
14
Banquet
2:22
15
Ballad of Love and Death (bonus track)
4:28

Album story

Oblachnyy Krai "The Great Harmony" November 1982

The third album by the band, which Sergey considered the most successful of their early records. Sergey really loved this hard rock work, with its slight elements of krautrock. In one interview, he even remarked: "Why do you parrot 'Stremya and Lyudi, Stremya and Lyudi' over and over? Yes, it's a good album, but you should find and listen to 'The Great Harmony'—now that's power!" 
Indeed, "The Great Harmony" turned out to be a very solid, interesting, and, as always, completely unique album. Vladimir Budnik (from the group Svyataya Luiza) handled the vocals here. His piercing voice, which at times seemed on the verge of breaking, fit perfectly. The lyrics—telling tales of the working class's heroic feats as they provided the country with coal, evening outings to restaurants for active recreation, and of course, the "wonderful" relationships between "deeply loving" and "respecting" people—sung in a mockingly sincere voice "full of hope and strength" over driving hard rock, sounded like an atomic bomb exploding in a desert, echoing through the corners of our vast homeland. The band was immediately put on the radar by the appropriate "serious agencies". It's a good thing they were talked out of distributing the song "Ballad of Love and Death", which Sergey's close friends referred to exclusively as "To the Death of Brezhnev". Otherwise, every member of the band would have been "done for" back then. On this same album, the musicians sent "about three hundred cheerful, cheeky portions of profanity" the way of journalist Artemy Troitsky (in the song "Warp, Critic!"), who, in the musicians' opinion, praised all sorts of pseudo-musical nonsense while ignoring truly interesting bands. They were simply too young to understand that the man just had a different taste and couldn't comprehend the work of bands playing interesting music. To be fair, Troitsky wasn't offended and later spoke quite highly of Oblachnyy Krai in his book.

  1. In the Dead of Midnight Part 1
  2. In the Dead of Midnight Part 2
  3. Introduction
  4. Into the Mine! (Miner's Song)
  5. Youth (Restaurant Sadko)
  6. All Good!
  7. Tenderness
  8. No Place for the Weak Here!
  9. Serious Agency
  10. Instrumental: Part 1 - Nebula; Part 2 - Homoglobular Function
  11. Warp, Critic (To A. Troitsky)
  12. Shaitan-Arba
  13. Banquet
  14. Ballad of Love and Death (bonus)
Oblachnyy Krai "The Great Harmony" November 1982

Lineup:

Sergey Bogaev: guitars, bass, vocals, music, lyrics 
Oleg Rautkin: drums, vocals 
Nikolay Lyskovskiy: keyboards 
Vladimir Budnik: Vocals 

Recorded at the Palace of Culture of the "Red Shipyard" factory 
Sound Engineer - Sergey Bogaev
  • Original 1982 layout: Sergey Bogaev
  • Front cover concept: Igor Plenov
  • Computer design: Sergey Supalov
  • Audio restoration and mastering: Igor Plenov 2009, St. Petersburg
  • Thanks to Ivan Sidorov (St. Petersburg) for providing the tapes with the first copies of the album
  • Thanks to him and Sergey Supalov, who preserved the original titles and 1982 artwork, the album was able to see the light of day in 2009 in its original, uncut form

Personnel

Musicians who performed on this album